A Character’s Real and Imaginary Journey Drive Ballad of Rustom
“Wedding Anniversary”, a film which stars Nana Patekar, Mahie Gill and Priyanshu Chatterjee, are actors who are known for their realistic slice of life representations in their earlier films but have moved from that with a different turn in this film: all looking gorgeous and classy! This is Nana’s best screen avatar as he has never looked this soft, handsome and approachable ever and so is Mahie Gill has never looked this glamorous, who is known for her realistic and powerful roles. With Shanti Bhushan Roy’s camera movements and the beautiful soft lighting, he has not only created a mood for the story and its setting but also attracts the viewers to the characters of Kahani (Mahie Gill) and Nagarjun (Nana Patekar) along with others.
Look gorgeous and at their very best in film Wedding Anniversary
Shanti Bhushan Roy, D O P-who is responsible for making all the characters look gorgeous and at their very best in film Wedding Anniversary .
Wedding Anniversary, a film which stars Nana Patekar, Mahie Gill and Priyanshu Chatterjee, are actors who are known for their realistic slice of life representations in their earlier films, but have moved from that with a different turn in this film: all looking gorgeous and classy!
Human connections and the power of cinema
Through The Lens : Shanti Bhushan Roy
Indian cinematographer Shanti Bhushan Roy talks about his job
Shanti Bhushan Roy : In A Chat With A Cinematographer
In a chat with DOP Shanti Bhushan Roy
Making of Indian Cinema
Meet this year’s speakers of our new programme series ‘Making Of Indian Cinema’. The DOP’s Pooja Gupte, Shanti Bhushan Roy, Paramvir Singh, Conrad Lobst and presenter Konstanze Welz
Featured by TellyChakkar
Cinematographers are like eyes: Shanti Bhushan Roy.
Aamir Khan’s ‘Rubaru Roshni’ is about loss. And about forgiving
Bhatkal and editor Hemanti Nayant Sarkar keep the narrative structure tight as they neatly weave together the footage of each of the stories captured over the years, developing a very organic and thought-provoking screenplay.
They first present the struggles of the victim’s kin and the culprit of each of the stories. Then even as the law of the country takes its course, it slowly leads you into the varied human emotions of the parties involved. They are backed well by Aditya-Nayantara’s minimalist, but evocative musical score, and Shanti Bhushan Roy’s deft camera work.