Short Films
CRACKLE
Is the first Virtual Reality 3D 360 horror short film about an experiment at a picnic with friends gone awry.
Shot with self-created and innovated 18 camera rig that allows shooting complete 3D, 360. We created our very own remote controlled dolly.
It should be watched it on a VR headset or Google Cardboard will do. Shanti Bhushan Roy recommends using headphones to get a truly thrilling experience.
PLAYING PRIYA
Director: Arif Ali
Producer: Humara Movies, Mumbai-India
Shot on Canon C300 with CP2 lenses
GOOD NIGHT SLEEP TIGHT
Director: Mihir A Upadhyay
Producer: Golden Media, Mumbai-India
Shot on Sony AS-7SII & Cannon Mark IV- complete Handheld
SURATI
Tech spec: Shot on 35MM(Cinema Scope) with ARRI 535B and ARRI 3C cameras and Kowa prime lenses. Shot on Kodak COLOUR Vision-2 500T (5218) and BLACK & WHITE 5222 PUSHED BY 2-Stop and BLEACH BY-PASS the Colour Negative for dark and gritty and grainier image.
Director: Shanti Bhushan Roy, Dara Singh, Pinaki Chatterjee, Dipti
Producer: Film and Television Institute of India, Pune, India
EK DIN
A Short film (6-minute approx.), tells a story of one day in life of a family of two kids and their mother.
Tech Spec: – shot on 16MM with 16-SR2 camera and Carl-Zeiss prime lenses, Shot entirely inside the Studios on Kodak Vision Colour 200T (7274) and Blown-up to 35MM.
Director: Garima Parikh
Producer: Film and Television Institute of India, Pune, India
RAAS
A Short film (7-minute approx. is a musical depiction of ancient fable of Radha and Krishna), shot on 16MM with 16-SR2 camera and Carl-Zeiss prime lenses.
Tech Spec: – Shot entirely inside the studios on Kodak Vision Colour 200T (7274) and Blown-up to 35MM. The Final Print was SKIPPED BLEACH to increase the apparent contrast and de saturate the colors.
Director: Alpesh Rohit
Producer: Film and Television Institute of India, Pune, India
BINARY LIFE
An Experimental Short film (4-minute approx.), talks about boredom of Love, Marriage and Domesticity.
Tech Spec: – shot on 35MM with ARRI 2C and Carl- Zeiss prime lenses, Shot entirely inside the studios on Kodak BLACK & WHITE (5231) and PUSHED BY 1-Stop for extra contrast.
Director: Vikram Chauhan
Producer: Film and Television Institute of India, Pune, India
THE RIOT
Tech Spec: – shot on 16MM with 16BL-2 camera – Shot on Kodak Black and White (5231).
Director: Parasher Baruah
Producer: Film and Television Institute of India, Pune, India
CRIME & PUNISHMENT
Tech spec:- Shot on 35MM (Wide) with ARRI 3C camera and Carl-Zeiss Super speed prime lenses, on Kodak Vision Colour 500T (5279)-PUSHED by 2-Stop.
Director: Mr. Sayeed Mirza
Producer: Film and Television Institute of India, Pune, India
THE UNNAMED POETRY
Tech Spec: Shot on 35MM (Cinemascope) with ARRI 3C cameras and Kowa prime lenses-
Shot entirely with available lights on Kodak Vision Colour 200T (5274), Kodak Colour 50D (5245) and Kodak Black & White (5231)-PUSHED BY 2-1/2 Stop and BLEACH BYPASS the Colour Negative to get Monochromatic and contrast image.
Director: Ajita Suchitra Veera
Producer: Film and Television Institute of India, Pune, India
PROJECTS as WRITER-DIRECTOR
PAUL LIVES ALONE HERE- BAPU DATTA
Producer: Film and Television Institute of India, Pune, India
UNTITLED
An experimental short film about a prisoner and his longing for his family. Shot on 16MM with ARRI 16BL & Kodak Black and White (5231).
Producer: Film and Television Institute of India, Pune, India